Sunday, June 21

The Greenest City in America

This is a follow up to my last post, more or less to give you better stats on Philadelphia's initiative to be green.

"The Greenest City in America.
That’s the ambitious goal that Mayor Michael A. Nutter has set for Philadelphia."
http://www.phila.gov/green/greenworks/index.html

You can read the entire plan as well as see a little video. They show horseback riding..and yes, I have seen that with my own eyes here on Girard. Very out of place looking. The video is pretty cool!


Tuesday, June 16

The Good Stuff

So, it's been entirely way too long since I've blogged. I think it's time to start up again. Maybe once a week so that I'm not bogged down like I am with the rest of life!

Ever since I've moved to the city, Philadelphia that is, I slowly started realizing how "uneducated" I was when it came to organic and local "good stuff". Or maybe naive is a better word. I just didn't pay attention to it before. Sure I knew organic was better but I didn't really know why....and buying local. Maybe I would.

Now, it almost seems impossible for me not to buy organic at the grocery stores. Unless I go to a chain that was in S. Jersey up here. Organic is priced so much higher in those chains or you have to go to a specialty grocery store to get anything organic. I'm really shocked at the options we have here in the city. Along with that, I believe the city has a plan to increase tree coverings and "go green". I never heard of S. Jersey doing anything like that.

There's a free mag that I picked up at Whole Foods, Grid, and just reading the editor's note is inspiring to do better things for the world. Even if it's just one thing that I do, that is passed on to someone else. (Funny Jonathan said basically the same thing a week ago that the editor says here.) "We might not bike across country, but we might bike to work. We might not start a farm, but we might do a little gardening, and buy more food from local farmers. And we might not start an education center in our neighborhood, but we might talk to our friends and family about what we're learning."

So with that said, I'm sharing what I'm learning. I try to buy at the local farm markets, or buy organic. We don't have a dishwasher, so I'm turning off the water while I'm scrubbing things. (thanks to Jonathan on that one.) And I've also started taking public transportation. More so out of necessity, but it makes more sense to do so. I'm not patting myself on the back, just telling you what I'm learning and I hope that whomever reads this might get an idea to do something different.

P.S. The gallery is moving in less than a month, and it's being gutted out. The cool thing about the company who is doing this, they reuse as much as possible from the gutting process. Refinishing old floors etc. And with our name change, we have a new website but you can still get there from the old one. www.SlingluffGallery.com

Friday, March 27

Artist Statement

Wow, it's been a while since I've posted anything on here! I'm trying to get back into the swing of things. Running the gallery, living in Philly, and everything just being new I got caught up in life....

Now, I'm back painting a little more THANKFULLY, Scribbles Book is in the process of being represented by an agency, and I'm preparing to blog more. For now, I wanted to share with you about writing an artist statement.

I found this article a while ago, but it's helpful. Hopefully it will help those who need it too. Enjoy! - Leigh

_______________________________________________

By Mollie Gordon
http://www.mollygordon.com/resources/marketingresources/artstatemt/

Your artist's statement can be a moving testament to your creativity and integrity. The expression of this commitment will vary, but the effectiveness of your artist's statement stems from the authority with which you write it.

Our words "author" and "authority" come from the Latin root "augere," which means "to increase, to create, to promote." This implies that the notions of creation and promotion are compatible! The more I muse on the meaning of working from my authority, of being the author of my work and of my conduct, the more I understand that authentic communication about my work is a powerful tool for creative growth as well as for business success.

The exercises in this section will get you centered and in touch with your own authority. When I write promotional materials for artists (or any kind of business) I always have the principal people involved do these exercises first. I use the words and phrases they generate to compose compelling artist's statements on their behalf. This way their creative authority is incorporated in the finished product.

Think of your artist's statement as a nourishing stew. The rich flavors and inviting aroma will feed your spirit and summon wonderful people to your table. You'll want to make sure your stew is made from the freshest, finest ingredients and that it has been simmered and seasoned with care. Do this, and you will be proud to share your creative vision – your authority – with others.

WRITING YOUR ARTIST'S STATEMENT

You'll need pencil and paper, a dictionary, and a thesaurus.

STEP ONE: Assemble the Ingredients.

1. Take five minutes and think about why you do what you do. How did you get into this work? How do you feel when work is going well? What are your favorite things about your work? Jot down short phrases that capture your thoughts. Don't worry about making sense or connections. The more you stir up at this point, the richer the stew.

2. Make a list of words and phrases that communicate your feelings about your work and your values. Include words you like, words that make you feel good, words that communicate your values or fascinations. Be loose. Be happy. Be real. Think of these as potential seasonings for your stew. You don't have to choose which ones to use just yet, so get them all out of the cupboard.

3. Answer these questions as simply as you can. Your answers are the meat and potatoes of your stew. Let them be raw and uncut for now.

  1. What is your favorite tool? Why?
  2. What is your favorite material? Why?
  3. What do you like best about what you do?
  4. What do you mean when you say that a piece has turned out really well?
  5. What patterns emerge in your work? Is there a pattern in the way you select materials? In the way you use color, texture or light?
  6. What do you do differently from the way you were taught? Why?
  7. What is your favorite color? List three qualities of the color. Consider that these qualities apply to your work.

4. Look at your word list. Add new words suggested by your answers to the questions above.

5. Choose two key words from your word list. They can be related or entirely different. Look them up in a dictionary. Read all the definitions listed for your words. Copy the definitions, thinking about what notions they have in common. Look your words up in a Thesaurus. Read the entries related to your words. Are there any new words that should be added to your word list?

6. Write five sentences that tell the truth about your connection to your work. If you are stuck, start by filling in the blanks below.

When I work with__________ I am reminded that___________.

I begin a piece by______________.

I know a piece is done when__________________.

When my work is going well, I am filled with a sense of _____________.

When people see my work, I'd like them to ________________.

STEP TWO: Filling the Pot.

Write a three paragraph artist's statement. Keep your sentences authentic and direct. Use the present tense ("I am," not "I was," "I do," not "I did.") Be brave: say nice things about yourself. If you find that you falter, write three paragraphs about an artist whose work you admire. Then write about yourself as though you were an admiring colleague. As a rule, your artist's statement should be written in the first person. Refer to yourself with the pronouns "I, me, my." If this blocks you, write in the third person, then go back and change the pronouns as needed when you get to Step Four. Use the suggestions below to structure your statement. Write three to five sentences per paragraph.

First paragraph. Begin with a simple statement of why you do the work you do. Support that statement, telling the reader more about your goals and aspirations.

Second paragraph. Tell the reader how you make decisions in the course of your work. How and why do you select materials, techniques, themes? Keep it simple and tell the truth.

Third paragraph. Tell the reader a little more about your current work. How it grew out of prior work or life experiences. What are you exploring, attempting, challenging by doing this work.

STEP THREE: Simmering the Stew.

Your artist's statement is a piece of very personal writing. Let it simmer overnight before your reread it. This incubation period will help give you the detachment necessary to polish the writing without violating your sense of integrity and safety. While your statement simmers, let your mind wander over the ingredients you assembled in Step One. Allow yourself to experience the truth of your creative experience. Marvel at the wealth of seasonings and abundance of vegetables you have at your disposal. Enjoy the realization that your work is grounded in real values and experience. If you think of things you might have left out of your statement, jot them down, but leave the statement alone.

STEP FOUR: Taste and Correct the Seasonings.

Read your statement out loud. Listen to the way the sounds and rhythms seem to invite pauses. Notice places where you'd like the sound or rhythm to be different. Experiment with sounding out the beats of words that seem to be missing until they come to mind. Do this several times until you have a sense of the musical potential of your statement. As you read your statement, some phrases will ring true and others false. Think about the ones that aren't on the mark and find the true statement lurking behind the false one. You may find that the truth is a simpler statement than the one you made. Or your internal censors may have kept you from making a wholehearted statement of your truth lest it sound self-important. Risk puffing yourself up as long as your claims are in line with your goals and values.

Keep reading and revising your statement until you hear a musical, simple, authentic voice that is making clear and honest statements about your work. Refer to your word list and other Step One exercises as needed. By now your taste buds are saturated. You need a second opinion. Choose a trusted friend or professional to read your statement. Make it clear that you are satisfied with the ingredients on the whole, but you'd like an opinion as to seasoning. In other words, you alone are the authority for what is true about your work, but you'd like feedback on clarity, tone, and such technical matters as spelling and punctuation. Once you've incorporated such suggestions as make sense to you, make a crisp, clear original of your artist's statement. Sign and date it. Make lots of copies, you will have lots of people to serve it to!

STEP FIVE: Summon the Guests.

There's little point in concocting a fabulous stew if you don't invite anyone to dinner. Every time you use your artist's statement you extend your circle of influence and build new branches of the support network for making, showing and selling your work. Enclose a copy of your artist's statement whenever you send a press release, letter of interest to a gallery or store, or contact a collector. Send it to show promoters and curators. Enclose a copy with shipments of your work so it can be displayed wherever your work is exhibited. The rest of this manual will suggest many opportunities for using your artist's statement to express your truth and support your presentations.

STEP SIX: File Your Recipe!

Save all the notes and drafts that you've made. You'll want to revise and update your artist's statement from time to time to reflect changes in your work.

Still, it is likely that many of the underlying expressions of your authority will remain the same. Having access to the "recipe" for your original statement will help you generate better revisions and will give you a sense of creative continuity. Whenever you need copy (for announcements, packaging, exhibit catalogues, etc.) return to your warm-up exercises. The words and phrases there will help you write openly and honestly about your work. And repeating the exercises will help you chart new creative territory.

Friday, January 9

How would you classify this event?

All Facts:

1) I'm in the process of doing the final move of my objects from Ocean City to Philadelphia.
2) I disassembled my coffee table a while back whem my roommate moved in to make room for hers.
3) I finally threw out my coffee table.
4) Yesterday I was in my Ocean City house grabbing a few boxes after work.
5) There was mail on the coffee table...and that's when I realized, the coffee table I disassembled and threw out is now assembled in my living room

How you would interpret this one? P.S. My roommate has already moved out and has been back once...AFTER the coffee table was gone.

Monday, January 5

We have a winner!

The calendar's randomly chosen winner was Mrs. Mommyy! Congrats and thank you for participating in my drawing.

Here's the press release from Postcardmania about the calendar. My image is sideways on the press release, but it isn't in the calendar haha. I find that a little amusing. They said that they were going to fix it, but it's not a big deal. As long as the calendar is ok then we're ok!

Stay Tuned for the next giveaway....I'm not sure what it will be yet, but I just got 15 new cavases so stay tuned in my etsy store! I'm excited. Pictured in my newest listing, a seahorse. There were quite a few of you saying seahorses, so this is a good start. :)

Til Next Time! - Leigh

Tuesday, December 30

27....

This number isn't really special to me, it's just how old I am today.

I've also decided to do a one day only 27% off my entire shop, excluding gift certificates. AND in lue (is that how you spell it?) of my b-day...I'm also going to give away a 2009 wall calendar.

12 artists, including one or 2 crafters made this calendar put out by postcardmania.com
I was one of the lucky 12! I have one to give away and it could be yours.

To enter:
1) Post your favorite sea creature to give me an idea for a next painting and a random # (noooo I'm not using you..i promise)

2) Post your email if you can not be contacted through blogger

4) Visit my etsy and save 27% Dec 30th only.

3) That's it...you're entered.

CONTEST ENDS Jan 4th (it's a short one...)

Thursday, December 25

Jon Carling @ Studio 27.28 Jan 3rd

Studio 27.28 is proud to present art by Jon Carling, a solo show, on January 3, 2009 from 6-9pm. Carling, based out of CA, graduated from Oakland CCA with a degree in illustration. Carling’s pen and ink illustrations range from ice cream cones shooting out of a freezer to owls, and dragons.

"I really don't limit myself to any particular subject matter or influence...I try and smash as many ideas into my work as possible...equally interpreting the way I saw life as a child and the way I see life today. Pen and ink is just what I have always done, its great because you don't pay much for supplies, and you can do it in bed."
~ Jon Carling

Carling is added to the list of many great artists that Studio 27.28 has shown from the west coast. He will be attending the art opening and will be available to answer your questions about his art, and maybe cheers a brewsky with you. For more information visit Studio2728.com. The Studio 27.28 is located on 2728 Girard Ave, Philadelphia (right around the corner from NorthStar bar, and down the street from the zoo.)